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	<title>John Shipe: Singer, Songwriter, Teacher, Traveler &#187; Mark Alan</title>
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		<title>Skinheads in Albany?  Mark Alan&#8217;s song is still relevant</title>
		<link>http://www.johnshipe.com/2010/05/16/skinheads-in-albany-mark-alans-song-is-still-relevant/</link>
		<comments>http://www.johnshipe.com/2010/05/16/skinheads-in-albany-mark-alans-song-is-still-relevant/#comments</comments>
		<pubDate>Mon, 17 May 2010 01:29:13 +0000</pubDate>
		<dc:creator>shipe</dc:creator>
				<category><![CDATA[Gig Re-caps]]></category>
		<category><![CDATA[Acoustic]]></category>
		<category><![CDATA[Albany]]></category>
		<category><![CDATA[Calapooia Brewing]]></category>
		<category><![CDATA[Lightning Rod]]></category>
		<category><![CDATA[Mark Alan]]></category>
		<category><![CDATA[Montgomery]]></category>
		<category><![CDATA[Parteidadler]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Shipe]]></category>
		<category><![CDATA[Skinheads]]></category>
		<category><![CDATA[Swastika]]></category>

		<guid isPermaLink="false">http://www.johnshipe.com/?p=246</guid>
		<description><![CDATA[I was in the middle of my set last night at Calapooia Brewing in Albany. A fine place to set up in a corner and play original acoustic tunes. I like this gig, I recommend it for my brewery-gig colleagues. But there was a bit of surprise. In walked a group of 6 or 7 [...]]]></description>
			<content:encoded><![CDATA[<p>I was in the middle of my set last night at  <a href="http://www.calapooiabrewing.com/" target="_blank">Calapooia Brewing</a> in Albany.  A fine place to set up in a corner and play original acoustic tunes.  I like this gig, I recommend it for my brewery-gig colleagues.</p>
<p>But there was a bit of surprise.  In walked a group of 6 or 7 guys, a few of them with shaved heads.  Tattoos, leather, patches, black denim, chains and belts, etc.  A quite normal assortment of styles that you see in most of the venues I play in.  But I love tattoos, and I love patches, and I tend to gawk closely at such adornments.  I couldn&#8217;t help noticing that these patches and tattoos were SS Lightning Badges, Parteiadler Eagles, and Swastikas.  Striking, to say the least.</p>
<p>  Normally, when I see this, I am fairly unfazed.  A little bit fascinated.  I think to myself, do these people really exist anymore?  It seems like the tide of history would have swept them away by now.  But another thing I couldn&#8217;t help noticing was that the next song on my set list was <a href="http://www.myspace.com/therealmarkalan" target="_blank">Mark Alan&#8217;s</a> <a href="http://www.youtube.com/watch?v=w3GLuoB6PmE" target="_blank">&#8220;Don&#8217;t Pass Montgomery By.&#8221;</a></p>
<p>At that moment, I was playing &#8220;Lightning Rod,&#8221; a fairly aggressive, funky acousto-rowdy number about televangelists. And Skinheads being music lovers (as I hear), they were paying pretty close attention.  As I wound up the outro-vamp of &#8220;Lightning Rod,&#8221; I begin to wonder what was going to happen when I started singing Mark&#8217;s lyrics, which come right out of a Martin Luther King speech.  Especially when I get to the part: &#8220;They gotta word for a black man/They gotta word for a Brown man&#8230;&#8221;  And the chorus: &#8220;Open up your eyes/See the ugly face of hate/They only want to hide/From their ignorance and fear.&#8221;</p>
<p>A lot can go through your mind in 10-20 seconds.  Here&#8217;s what went through mine:</p>
<p><span id="more-246"></span></p>
<p>I sort of felt, and hoped, that Mark&#8217;s incredible song would someday become obsolete and irrelevant.  And that maybe, with the  election of Barak Obama, that time is indeed upon us.  Great social activist songs often happily end up in anachronistic dotage, like &#8220;This Land is Your Land.&#8221;  So might &#8220;Montgomery.&#8221;  We can only hope that someday we&#8217;ll be singing the song more for it&#8217;s groove and melody than for its message.</p>
<p>I have kept that song fresh for myself by adding lyrical embellishments in the outro like, &#8220;They gotta word for a brown man from the Middle East/They gotta word for black man make to president/They gotta word for a woman on the supreme court.&#8221;  (This sounds corny in print, but the power of Mark Alan&#8217;s music really sets fire under your vocals once you get going.)  Still, I can&#8217;t help wondering, wherever I play the song, it&#8217;s just preaching to the choir like a good liberal should.  (An African-American from Arkansas once came up to me and said, &#8220;If you live where I came from you would know how necessary songs like this are.&#8221;  But this was Southwest Portland, and there was no one within miles who didn&#8217;t already believe in this message.)</p>
<p>Now here I was in Albany, with a table full of Skinheads right in front of me.  Obviously, the song is still relevant.  And these guys just sat down.  It&#8217;s only a coincidence that &#8220;Montgomery&#8221; was next on my sat list, but if play it exactly right now, it will certainly appear to be a provocation, won&#8217;t it?  Well, isn&#8217;t that what the song is for?  And speaking of provocations, aren&#8217;t swastikas and SS badges provocation?</p>
<p>I&#8217;m not really a brave kind of guy.  Kind of a coward actually.  I avoid conflict like most Midwesterners of Scandinavian descent do.  And no one but me would have known if I had skipped the song.  But I would know.  And considering how much psychobabble I devote to such things, I would be ashamed of myself if I didn&#8217;t sing the most clearly articulated version of &#8220;Don&#8217;t Pass Montgomery By&#8221; possible.</p>
<p>So that&#8217;s what I did.  I closed my eyes and I sang every line as loudly and clearly as I could.  I added all the embellishments, and fully articulated &#8220;ignorance and fear.&#8221;</p>
<p>I admit that I was scared.  In fact, I was shaking.  There weren&#8217;t a lot of people around.  No bouncers.  And this bar is in a remote part of Albany.</p>
<p>  In a way, I&#8217;d love to tell a story of a huge melee that followed, with 6 guys threatening to kill yours truly and take his musical gear.  But all that happened was that the 6 or 7 fellows got up and went outside to the beer garden.  I guess they avoid conflict too.  Either that, or the old axiom is true:  People just don&#8217;t listen to lyrics!  I think I&#8217;d rather get beaten up then succumb to the later.</p>
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		<title>Shipe &amp; Ebbage at Eichardt&#8217;s</title>
		<link>http://www.johnshipe.com/2010/01/23/shipe-ebbage-at-eichardts/</link>
		<comments>http://www.johnshipe.com/2010/01/23/shipe-ebbage-at-eichardts/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 15:31:35 +0000</pubDate>
		<dc:creator>shipe</dc:creator>
				<category><![CDATA[Gig Re-caps]]></category>
		<category><![CDATA[Ebbage]]></category>
		<category><![CDATA[Eichardt's]]></category>
		<category><![CDATA[Jerry Joseph]]></category>
		<category><![CDATA[Mark Alan]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Sandpoint]]></category>
		<category><![CDATA[Shipe]]></category>

		<guid isPermaLink="false">http://www.johnshipe.com/?p=170</guid>
		<description><![CDATA[By day, Eichardt&#8217;s is a fine restaurant, with a quiet clientele that makes you think you&#8217;ll be playing soft folk ballads for calm people. (Not a bad prospect, for this tour is much about introducing Ehren&#8217;s album, with all its sweet music, to the music fans of the North Idaho corridor.) But, at night, by [...]]]></description>
			<content:encoded><![CDATA[<p>By day, Eichardt&#8217;s is a fine restaurant, with a quiet clientele that makes you think you&#8217;ll be playing soft folk ballads for calm people.  (Not a bad prospect, for this tour is much about introducing Ehren&#8217;s album, with all its sweet music, to the music fans of the North Idaho corridor.)   But, at night, by the time you get sound checked and ready to play, Eichardt&#8217;s turns into a bar.  There were quite a few noisy people who were unsusceptible to our finesse, intricate composition, and emotional crooning.  We were pulling out our rockers quite a bit more than we thought.  A woman from the audience actually came up to us and asked us to turn up, furtively pointing to the noisy fellows at the bar.<br />
    Anytime we&#8217;re asked to turn up, that&#8217;s a good thing, and we&#8217;re happy to oblige.<br />
    Strangely, though, as raucous as some of the audience seemed to be, we were complimented on our lyrics of all things.  All night, they kept coming up to us: &#8220;Which one of you writes your lyrics?&#8221;  (So they were listening after all, even those guys with their backs to us, who at one point seemed even to be heckling us.)<br />
    Incidently, we both write the lyrics.  If E-dog is singing, he wrote it.  If I&#8217;m singing, I wrote it.  Unless it&#8217;s a Jerry Joseph song, or a Mark Alan song.<br />
    At last I&#8217;m getting inside the lap steel on Ebbage&#8217;s tunes.  Fewer mistakes and juicier melodies.  This is important, &#8217;cause there is something about that instrument that turns an ear with just one note.  I can see why Ehren tries to play with pedal steel players at nearly every gig.  You don&#8217;t have to do much with it; just fade in a sweet chord tone at the right time, give it a little vibrato, and make it sing.  </p>
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