Good to see John again, who had to leave Hollywood behind — temporarily — just as I have, until further project infrastructure is robustified. We commiserated, planned, theorized, and encouraged one another, and assured ourselves that we would soon release the second episode of Laurel Canyon Back Porch Variety Hour.
First gig of tour is tonight in Sacramento, with Doug Cash, at Fox-n-Goose Pub. I will be well rested, having taking a few hours off the long drive from Eugene.
The start of 2009 found me in North San Diego County. In the middle of my Yellow House run, it seemed a mistake to up-and-leave headquarters just to get out of Northwest rain. Sure, we lived on the beach, and the sunny weather was awesome, but they don’t have much of an original singer/songwriter scene in that surfer strip between L. A. & S. D.
What they do have, however, is a great Irish scene. Irish bands and Irish pubs. (Gentlemen from Flogging Molly reside there.) I was lucky to fall in with these folks. Ned Giblin, of Brehon Law, invited me to play Wednesdays at his pubs, J.J. Landers and R. O’Sullivan’s. So, I had regular gigs and a close look at a timeless style of music. (The influence of Ned and his cohort David Lally is bound to show on my next album.)
In Oceanside, I befriended Doug Whorly and several of his showcases at McCabe’s, where I met the lovely and talented road warrioress Jacqui Foreman. She honored me by covering my “Faith in the Man.”
It was at a Whorly showcase where my wife, Amy Wray, filmed the video of me covering The Pretender’s “Brass in Pocket.”
I didn’t bother working the L.A. scene. Too big, and like different country. But at the urging of my publicist Leona, I played a couple times at The Gypsy Den in Orange County. (Once with Trevor Davis.)
We lived down the beach from football star Junior Seau, who has a beautiful blue Pit Bull named Rocky. I mention the dog, because it was about this time that my connection to the international Pit Bull community really deepened. I was getting daily e-mails from dog lovers about my song “Pit Bull Blues,” which I gave out freely to anyone engaged in canine care and rescue. Soon, videographer Jeff Fleiss contacted me with the idea of making a video. By spring, he had hauled me up to L.A., filming me in front of the Coliseum amidst 25 Pit Bulls and their trainer, Dogman. He put it together with some excellent footage taken by Amy, and boom… there was a sweet video… still getting legs on the web.
According to Amy, it was the best that Ehren & I had ever sounded together in our lives. It sure felt that way. And we’ve been playing together since the 90′s.
But we paid the price, didn’t we?
Amy and I went early. We love Ashland, you see. As we were touring around the Plaza, Ebbage called us from Roseburg. His clutch had given out, good two hours North on I-5. He had to find a mechanic, leave his car and take a bus to meet us. But there’s no station in Ashland, so he could only make it as far as Medford. While I set up for the show, Amy had to drive a half-hour to pick him up.
He made it in time. From 8:30 to midnight-thirty, with hardly a break, we played damn near every song in our repertoire, with as much emotion and execution as we ever play. Very satisfying. (Our good San Diego friend–and “Yellow House” vid director–John Grimshaw was there, too.)
But I couldn’t help noticing the hot flames of pain shooting up and my back through the whole thing.
Back at the hotel. I ate my leftover Shrimp & Chicken Pasta and laughed at the Girls Gone Wild infomercial with Amy & Ehren.